Monday, March 30, 2009

Glam itself

Glam itself was a nostalgic mesh of various styles, both visual art and music, ranging from 1930s Hollywood glamor, to 1950s pin-up sex appeal and rock n' roll teenage rebellion, to pre-war Cabaret theatrics, to Victorian literary and Symbolist styles, to ancient and occult mysticism and mythology (such as Bowie's references to Aleister Crowley's "starman" in his song of the same name, and themes of reincarnation and self-invention in T. Rex's Cosmic Dancer). Glam is most noted for its sexual and gender ambiguity and androgyny, and use of theatrics.

Throughout glam rock's popularity, many bubble-gum acts - such as Elton John, Slade, Gary Glitter, and Alvin Stardust - adopted raunchier and more sexual takes on Glam style. Other previously famous acts such as The Rolling Stones and Lou Reed re-invented themselves in a glam fashion, often to great success (including Reed's biggest hit single, "Walk On the Wild Side"). However, glam's success in America was modest at best, with artists such as T. Rex and Roxy Music having only a fraction of the success they had in the UK. However, glam went on to influence many other genres, including punk, new wave, goth, jangle pop, college rock, and grunge, with artists as diverse as Siouxsie Sioux, Johnny Rotten, Billy Corgan, Peter Murphy (whose band Bauhaus covered T. Rex's Telegram Sam and Bowie's Ziggy Stardust), and Adam Ant citing glam artists as key influences. Glam has since enjoyed sporadic modest revivals through bands such as Chainsaw Kittens.

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